Caspian X (
the_seafarer) wrote2023-02-11 10:26 pm
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[au] Narnia and the North
There's a chill bite to the air, these days. The horses have been growing out their winter coats, and they look shaggy and plump as Caspian turns them out into the paddocks. Behind the stables, in the makeshift woodshop he'd cobbled together, the sleigh from his drawings is starting to come together.
He hopes he'll have it finished by Christmas. With a little luck, and maybe some assistance, he thinks it should be possible. The tack, he's largely left up to Susan's devices, though he'd commission Gimli the dwarf for the various buckles and other metal pieces they'll need.
Once the horses are turned out, he gets to his other morning chores with a will, whistling cheerfully as he does. The stable stays strangely quiet around him. It takes him the better part of an hour to realize the strangeness is because he's become accustomed to Susan's cheerful presence working alongside him, talking or humming or simply working in companionable silence.
Caspian pauses in his task – refilling the grain chest – and looks around. Susan's nowhere to be seen, and when he later wanders through the stables, checking each stall and outside, he can't find her there, either.
He hopes he'll have it finished by Christmas. With a little luck, and maybe some assistance, he thinks it should be possible. The tack, he's largely left up to Susan's devices, though he'd commission Gimli the dwarf for the various buckles and other metal pieces they'll need.
Once the horses are turned out, he gets to his other morning chores with a will, whistling cheerfully as he does. The stable stays strangely quiet around him. It takes him the better part of an hour to realize the strangeness is because he's become accustomed to Susan's cheerful presence working alongside him, talking or humming or simply working in companionable silence.
Caspian pauses in his task – refilling the grain chest – and looks around. Susan's nowhere to be seen, and when he later wanders through the stables, checking each stall and outside, he can't find her there, either.
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(is he really as bad as that? would he really murder me?)
"And if you cannot speak courteously to this lady, then you will keep your poisonous tongue behind your teeth or lose teeth, tongue, and head, all."
Something else shifts just beyond Susan's hateful aunt – the beech tree he'd seen on his last visit. He'd thought the beech-woman asleep, like the willow, but now its branches seem to be moving against the wind. There's a soft but intent murmur in the air, like the sound of the brooke, or wind through leaves.
Awake! Awake! Danger – fire – murder – awake!
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"Cord, Cord, Cord," Cuthbert says. "For Susan's sake we'll give you one warning. Leave this place and never return, else we'll send you to Na'ar."
"It weren't yers to forgive me aught, ye murdering whore, and ye'll not keep her!" Cordelia lashes at them all. "Ye'll not hold her here, or anywhere! I cursed her with the ashes, cursed her to darkness, and I'll claim her to her rightful end once and for all. She's for the fire--"
(charyou tree)
Something flashes in her hand; something orange and bright and viciously burning.
"--and ye'll not keep her from it!"
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It's a thing he's only heard once before, on the battlefield between the Telmarine army and Old Narnia: as if a wild summer storm had broken over the entire forest. The beech-woman is well awake now, he sees – Cordelia, in her maddened fury, seems unaware of the great trunk and lashing branches coming behind her. Darkness is indeed encroaching... but it comes for Cordelia, trees shifting forward, branches reaching. Behind him, he can hear the birch-woman calling; before him, he sees the beech-woman reach to wrap her branches around Cordelia like a lover.
Caspian holds his sword at the ready, but hangs back from attacking. "You should not have brought fire into this place, evil one," he says, cold. "And the trees here are fond of your niece. No one will go into the darkness this night but you."
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There's sorrow on Susan's face, he sees, but she doesn't raise a hand. "Goodbye, aunt," she says, oh, so soft. "Fare ye well, if ye can."
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(The Wood! The Wood! The end of the world!)
What happens to the woman, he doesn't see, but his sword stays in his hand until her last screeches have disappeared into the woods well beyond the sanctuary of the garden.
Behind them, the birch-woman's branches lash in consternation. Black sorcery! she cries. Evil, wretched. We have taken her from this place. We are sorry she broke through. Forgive us.
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"Lady-sai, say not so, it were me brought trouble here to disturb the peace of yer garden. There's naught ye need forgiveness for, say true. Cry yer pardon, I do."
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Nor is she alone: the white pine has joined her. The four tree-sisters now all stand in a protective circle around them, branches waving gently.
The birch-woman leans forward to embrace Susan in green leaves and the sweet smell of sap. We promised, she murmurs. No harm will come to you here. No killing frost. No flame.
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"Best to keep our wits about us."
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As they do, Susan pulls away from the birch-woman's gentle embrace, wiping her eyes. She murmurs soft words of thanks to the tree-sisters, dropping a curtsey, then comes back to join the others. "I'm sorry ye had to see her like that," she says, rueful.
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"Are you all right, Su?"
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"He'd have been that upset, he would." Cuthbert chokes back a disbelieving laugh.
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He puts an arm at her back and guides her a little closer to the gunslingers, until she's in yet another ring of protection, this time with the three of them.
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(too much protection makes you weak - you have to be able to stand)
She'll never speak a word of blame for what came before -- it were ka, ever and always that cruel wind, and naught else. But she understands well why they'd still do so now--
(we'd all protect her if we could)
-- and why Caspian would as well, being who he is, adventurer, king, and more beside--
(beloved)
--and oh, but she loves them for it, loves them deeply and lasting, the three who are here and the one who is not, as well.
(Roland I love thee)
Time seems almost to stretch oddly around them as they stand together so, and she'll never be certain sure how long has passed in what seems to her like one single, endless moment. And it's in that moment that Susan thinks that although Susannah (Detta) had been right in her warnings, she'd been wrong as well.
It's not about the way of the gun, say true, not here. It's love, she thinks, that makes all the difference, and it's love that will get them through the burning horror of this day's memory and what she fears is yet to come as the moon rises.
And that's what she says-- oh, so very soft, and yet so very clear, while she still can, before her mind's mazed again or worse. Susan leans close into the curve of Caspian's arm, and reaches to catch one of 'Bert's hands, and one of Alain's as well.
"I love thee, do'ee kennit? All of thee, say true."
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In this, he thinks, he can speak for them all. The three of them here – and he knows without question they're far from the only ones who love Susan – would all do anything for her, and that gladly. Their love for her and hers for them; the love of the tree-sisters' for green and growing things; all of it weaving together into an enchantment stronger, he's sure, than any wicked glamour could ever be.
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(Roland's love is my love)
"Aye," he manages, squeezing her hand tight - and then flashing a bright teasing smile at her. "So be careful, Sue, or thee'll have all three of us reclining at yer feet now."
Susan laughs, and his heart lifts to see it.
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"Aye, thee too, ka-mai or not." But even as she says it, something stirs well beyond the edge of the garden, and her glance drifts unconsciously toward it.
For ka works and the world moves on, may it do ya, and though those gathered here may not know it, ka's workings with regard to one Roland Deschain have been long set in
(a handful of dust)
a pattern as strong and binding as any chain. Time is soft here in the places between, and softer still on this night when the veils between the worlds are dim and thin and drifting, and although a price was paid and a horn once lost was found and in a rose-covered field far distant a Tower waits for change, here the weight of ka's wheel drags still at those who Roland failed to save.
(lost and by the wind grieved - O Discordia)
And oh, though she does not know it, Susan Delgado was the first of them all, and now here she stands again among them, the linchpin that marked the beginning of all their losses, while at the edges of this tenuous place of safety something dark begins to rise.
(what rough beast, its hour come round at last, slouches toward Bethlehem to be born?)
"Something's wrong." For all it's a mere whisper, it's achingly clear.
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(pull for all our lives; there are some things no man can face – IT'S just going to settle on the mast)
His hand settles once more on the pommel of his sword, and as his fingers brush the molded lion's head there, some soothing warmth begins to spread through his chest, pushing back the fear. "What is it?" he whispers. "What do you see?"
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Wrong like the sound of the thinny in Eyebolt canyon; wrong like the insectile greedy whispering among the crowd that burned her.
She's right, Alain thinks, hands hovering ready to draw. Cuthbert feels it too, he can see that from the way his friend's turned grim, no laughter in him now as they brace themselves for the fight.
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(it's wrong)
– and his hand tightens on his sword. The gunslingers, too, are braced and ready, all four of them here and willing to stand against the darkness, to hold, and small as their group might be, the circle they make is strong. Above the trees, the bloody moon shows its first curving line, and scarlet light washes dully over the woods. The wrongness of it grates at him like sharp-edged metal.
(it's wrong
wrong
wrong will be
wrong will be right)
He doesn't know what it is that catches his attention away from the rising moon, but something does – some flutter of wings or flash of light. Caspian lifts his gaze to the darkened sky and sees a single star glowing, bright and calm, strong enough to be visible even in the weird washed-out half-light of the harvest moon.
The star pulses, sending a wave of cool light over them, and in it – in it –
(he's the King of the Wood)
– he sees something else moving among the trees, starlight gleaming off richly golden haunches, and a sweet, wild scent fills the air. Caspian, unable to help himself, cries out in joy.
At the sound of his roar, sorrows will be no more,
When he bares his teeth, winter meets its death,
And when he shakes his mane, we shall have spring again.
The tree-sisters bow their heads, the breeze flits joyfully around them, and the single star above glows in peaceful encouragement as the Lion paces slowly into the glade, his massive paws velveted and silent on the grass.
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(the white the coming of the White)
Beside her Caspian cries out, and there's naught of fear or horror or anger in it - it's a welcoming cry, a wonder-cry of delight and happiness--
(joy yes always)
--and at his side, Susan turns to see bright and shining gold.
"Oh," she breathes, near unable to speak, fog-gray eyes wide and her hands clasped in front of her now almost as if prayer. She can hear Cuthbert and Alain turning behind her, but she cannot look away from the Lion, the Guardian, Aslan himself, here with them in the no-longer-haunted glade.
"Oh, look."
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Aslan, far larger than any lion, larger even than the last time Caspian saw him, steps close and regards them with amber eyes both wise and calm. "Hail, Susan, Daughter of Eve."
His voice is rich and warm. He turns his great, shaggy head, and observes Cuthbert and Alain. "Hile, gunslingers."
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